Dear all,
It is always a pleasure to share the news of Don Jacobson’s latest writing, and this time he is bringing something else, it is not the “usual” Darcy and Elizabeth story, it goes beyond the cannon and I believe it may make us see them differently, with a new perspective. I wish you a great time reading In Plain Sight.
Here you have the blurb and see what Don is hinting:
“At the end of the day when we are each of us lyin’ flat on our backs, lookin’ at the ceiling, and the vicar is whisperin’ in our ear, the greatest comfort we shall ’ave is to know that we loved well and were well loved in return.”
When Fitzwilliam Darcy’s father slides into an early grave, his son is forced to take on Pemberley’s mantle. Brandy numbs his pain, but Darcy’s worst inclinations run wild. After tragedy rips everything away, he spends years finding his way back: a man redeemed by a woman’s loving understanding.
Elizabeth Bennet is afflicted with a common Regency ailment: observing the world about her but not seeing those beneath her notice. Then a clarifying act shatters the propriety that has denied her heart the transcendent love she craves.
In Plain Sight explores Jane Austen’s eternal love story by flipping social roles on their heads. From their first encounter, Elizabeth Bennet and the convict known as “Smith” must overcome their prejudices and break through their pride. Only then can they share the treasure hidden in plain sight.
*****
Don Jacobson has created a moving tale that reimagines one of the most beloved romances ever! He carries the themes of pride, prejudice, and forgiveness through the text beautifully. An original tale laced with historical details. You’ll love it!
Elaine Owen, author of Duty Demands
What do you think? I know it is not much but, how do you see Elizabeth? and Darcy and his inclinations? If you are confused you can blame this amazing writer.
Let me (re)introduce you to Don Jacobson:
Don Jacobson has written professionally for forty years. His output has ranged from news and features to advertising, television, and radio. His work has been nominated for Emmys and other awards. He has previously published five books, all non-fiction. In 2016, he began publishing The Bennet Wardrobe Series—
The Keeper: Mary Bennet’s Extraordinary Journey (2016)
Henry Fitzwilliam’s War (2016)
The Exile: Kitty Bennet and the Belle Époque (2017)
Lizzy Bennet Meets the Countess (2017)
The Exile: The Countess Visits Longbourn (2018)
The Avenger: Thomas Bennet and a Father’s Lament (2018)
The Pilgrim: Lydia Bennet and a Soldier’s Portion (2019)
Jacobson is also part of the collective effort behind the publication of the upcoming North and South anthology, Falling for Mr. Thornton: Tales of North and South, released in 2019.
Other Austenesque Variations include the paired books “Of Fortune’s Reversal” (2016) and “The Maid and The Footman” (2016). Lessers and Betters (2018) offers readers the paired novellas in one volume to allow a better appreciation of the “Upstairs-Downstairs” mentality that drives the stories.
Jacobson holds an advanced degree in History with a specialty in American Foreign Relations. As a college instructor, Don teaches United States History, World History, the History of Western Civilization, and Research Writing. He is a member of the Austen Authors Collective and JASNA. He lives in Las Vegas, NV with his wife, Pam.
I think that it is worth reading what Don has to shared with us about this “different” approach to our beloved couple. I put the inverted commas on different because I believe that we are kind of used to having the same pattern even with variations. However, I am really looking forward to read In Plain Sight and learn more about these characters and how they can see their real world.
I wish to thank Ana for hosting me today. I look forward to engaging with each of you.
Classic Canon has Darcy’s head so high in the clouds of his status that he barely condescends to see those clustered around his feet. Canon also has Elizabeth reacting with impertinence and asperity against the man’s haughty nature and arrogance. That dynamic tension has been present for 200 years.
When I ventured to write my first novel which was Elizabeth/Darcy-centric, I resolved to create a work that would offer readers a fresh approach to the quandary that is the Eternal Binary. I am convinced that one of the reasons that I avoided ODC novels (in spite of Lory Lilian and Joana Starnes urging me to do otherwise) was that I was unwilling to compose another story that relied on plot devices used a dozen times over in JAFF.
Then, sometime in the middle of last year as I was writing The Pilgrim: Lydia Bennet and a Soldier’s Portion, something clicked. It may have been Lydia Wickham acting contrary to her nature Canonically memorialized as well as scorched across the pages of a thousand variations pushed out since about 2010. That sense of our core characters acting differently, assuming new guises, sent a glimmer into the darker corners of my mind where it muttered (and gibbered?) through the end of the Lydia book and the composition of my North and South story, Cinders and Smoke.
At some point in early-October, I turned to the idea that was to become In Plain Sight. Making the Lydia alterations my starting point, I asked myself ‘What must Darcy do to lose his pride and begin to appreciate the people around him if Elizabeth’s Hunsford rejection was not the cause?’ After considerable mulling, my search for a satisfying plot path hit a brick wall. I could not see a way that Fitzwilliam Darcy, master of Pemberley, could set aside his pride and become a fully dimensional person. And, there it was—right in the center of my problem. He could not as long as he was master of Pemberley. That man could only respond to the Hunsford disaster: the denial of his most cherished wish. I needed to have him become another, an inversion of the character with whom we are so familiar., in order to allow him to grow in the manner I would like to write.
Now, I am not a particularly religious man. Even though my books are replete with Christian and Eastern mystic references, these are artifacts of a Swedish Lutheran childhood. That said, our Nineteenth Century characters are people of faith and not Nietzsche’s children, and, thus, allusions to religion and faith are relevant.
As I began to look at inverting Darcy, I was reminded of the story of the Prodigal Son. By the time of George Darcy’s death, Fitzwilliam Darcy has risen to the top of the heap. He was in possession of his birthright at the age of twenty-three. How could this man learn what he needed to learn in order to become worthy of Elizabeth’s love? If Darcy was at the pinnacle, who would be at the absolute (white man’s) social nadir? Like the biblical young man, he would have to lose it all, to be stripped down to his barest essentials.
He would be convicted and relegated to toil, hidden in plain sight, from all of those who would have condescended to know him before.
Once I hit upon that solution, much more moved into position. Now that Darcy was invisible to everybody except the men to whom he was chained, how could he interact with Elizabeth? That forced me to consider the person of Miss Elizabeth Rose Bennet. As a gentleman’s daughter, what did she know and who did she see? Canonical readers and fans of #Austenesque works tend to pigeonhole Elizabeth as somewhat saintly and most certain without fault—except for her nasty proclivity to mimic certain Derbyshire gents in jumping to conclusions.
Yet, would not the daughter of Longbourn be equally susceptible to classism? While she is not of the first circles, are we to assume that those attitudes of superiority did not percolate downward toward the sparrows from the eagles? This gave me a mobilizer for Elizabeth and Smith’s relationship. She was in her own, as well as society’s eyes, so far above the convict as the master of Pemberley was above the second daughter of a modest country gentleman.
Now, Elizabeth had to learn that labels do not make the man. Does Collins become an exemplar of saintly rectitude simply because he is ordained? Much as Lydia discovered that the color of uniform does not define the valor of the man wearing it, so too will Lizzy Bennet find that checkered shirts and canvas pantaloons do not determine the inner qualities of the person before her.
In Plain Sight is, I believe, an honest work. It offers up our hero and heroine in a new light. It moves them through an unfamiliar word growing from the whole cloth of the great work. The novel tells the love story in a way that will be seen as unusual and stepping beyond the norm.
What are your thoughts? Both Don and I would like you to share your ideas, your opinions, your comments to his explanation and, if you keep reading below, to this excerpt where Elizabeth starts seeing…
Excerpt from Chapter 16, In Plain Sight
In the parlor of the Longbourn Dower House where Elizabeth Bennet watches over the unconscious foundling carried there by Mr. Fitzwilliam.
…
The past few days had been ones of harsh reality for Elizabeth Bennet. She had yet to fully appreciate what she had seen and felt.
Have I been so sheltered as not to understand the cruelties—both petty and great—that surround me? Upon what is my world built? Is it the sands of propriety or the sound stone of wide-opened eyes?
First the flogging of that poor boy.
Then came Mary’s betrothal when none of her sisters had even imagined that she harbored the ability to own such tender feelings.
Mr. Collins’s pique at being denied the £300 from Longbourn’s living showed me another side of placing the control of church offices into the hands of those who see themselves as betters. For their own purposes—to maintain their power—they would manipulate others of weaker spirit, unctuous men like my cousin, men who should only pay fealty to the Heavenly Father. Instead, they bow and scrape before unscrupulous men, moneychangers all, who prey on the fear and blindness of those for whom they are supposedly responsible. If I hear William Collins say the word ‘patroness’ one more time…
And now this poor fellow—Mr. Smith according to Mr. Fitzwilliam—lies with one foot in the grave. He was not condemned to the gibbet by a Red Judge. Yet, here he now rests: sentenced and punished by those not wearing robes of authority. But for what reason?
He rose against the cruelty of the barnyard, living that which we have been taught every Sunday. Did that warrant his death? Or is there a darker reason?
If it had not been for the long figure stretched out before her, Lizzy would have pulled on her pelisse, soiled or not, and launched herself into a pilgrimage across Longbourn’s fields toward Lucas Lodge. She needed Charlotte’s advice right now.
There was something about this man, something that led known—and unknown—bits of her body to warm and tingle in manners that were neither uncomfortable nor unwelcome. Her diet of novels that inspired romantic visions did not blind her to what was happening. Charlotte could help her sort this since Jane yet traveled.
She was attracted to this man, a convict, someone so far outside of her sphere and so wholly unsuitable to be the object of her ruminations as to be toxic to her wellbeing. Yet, there was a nobility about him that shone forth and led her to believe, to pray, that there was more to his tale than that which people would claim after seeing him labor under the watch of armed guards. Lizzy appreciated that he was a fine figure of a man and hoped to learn more. She was frustrated by his continued insensibility.
After Mary’s revelations, Elizabeth had decided to look beyond first impressions. That she had condemned her sister as being bedeviled by a poverty of spirit because Mary affected a dowdy façade was to her shame.
Now, she chose to look beneath, to peel back the layers of a person and seek the golden kernel hidden within. However, she could not ignore the fact that a lack of appearance and gentle behavior—her cousin Collins being a prime example—did predispose her to dislike persons who inflicted themselves upon her when she did not desire them.
Here before her was an early test of her new resolve.
Elizabeth could not believe that Smith was a common criminal. He was anything but ordinary. That bare minute in front of the Netherfield barn had shown Lizzy that he knew how a gentleman carried himself—or at least how she imagined a sophisticated man-about-town would seem: acting neither as rake nor rattle. He had stepped forward to end the outrage rather than holding back with the other convicts, content to bay like a pack of hounds when the Master of the Hunt held high the fox’s torn carcass.
Dependence upon appearance as the sole basis for ascribing character could lead to misunderstanding and prejudice. After all, was that not the case with King Richard III who was portrayed as a hunchback by the Bard, contrary to recorded history? The audiences in the pit easily understood that Henry Tudor, clear-eyed and upright, had earned the right to rule in place of the deformed usurper.
But Lizzy knew that she had little choice except to consider physical manifestations as the freshly wound ormolu clock chimed its way through the quarters while she sat there. She consoled herself with the thought that the poor man could barely speak when conscious, let alone engage in revealing conversation. Thus, she would have to use that which she could observe. Yet, her examinations of men as they slept were rightly limited to her father when she came upon him in his library after he had imbibed one too many brandies.
Even though she had never inspected any other men, she had, oddly, tried to sketch William Collins after he had brushed the crumbs from his black waistcoat and climbed the stairs to his chamber. Did he wash away the sweat of the day before he slid on his nightshirt?
Huffing slightly, she tried to expunge from her thoughts the repellant image of her cousin abed fast asleep. Even in repose, she shuddered; Collins’s inherent nature shone through, illuminating all in a greasy light that was roiled with his obsequious comments.
On the contrary, Lizzy felt that she could see a well-bred refinement shaping Smith’s somnolent features. While his closed eyes were marred by the black-and-blue of his beating, Smith’s aquiline nose—swollen—dropped from a broad forehead to end above his cracked and broken lips. Even these, when the swelling was ignored, may have been found gracing a likeness of an ermine-clad noble in a great house’s gallery.
Yet, Elizabeth Bennet had not been brought into the manor house only in the past week. She had become the family’s skeptic, especially as Meryton was changing with the influx of commerce in the form of Watson’s Mill, the Canal, and tradesmen attracted by the wartime economy. Her private mission was to protect her sisters’ virtues. She had never feared that Mary or Jane would have compromised bedrock principles, so Kitty and Lydia were her unwitting charges. To prepare herself, Lizzy had watched the militia officers stationed on the parade grounds above the Mimram. She had learned that an easy appearance coupled with gentle manners and a glib tongue could certainly hide a deficiency of honor and a wastrel’s inclinations. Too many of the town’s young women had been dispatched to “visit their widowed aunts in the country” for Lizzy to accept a redcoat’s blandishments toward herself, Kitty, and Lydia.
She contemplated the conundrum known as William Smith as he snored softly in his drug-induced torpor.
Yes, a judge had sentenced him to toil as punishment. However, she could not believe that he had fallen as the result of a terrible character defect. Likely, his perdition came about because of remarkable circumstances that overwhelmed engrained probity.
After all, even though he was nearly comatose when she discovered him, had he not urged her to abandon him by the roadside as anything less would have been a violation of propriety? This was surely a sign of a refined temperament. His simple act of defending a friend convinced Elizabeth that he had redeeming qualities that were the strakes atop oaken ribs that made up the man called Smith.
Papa once had counseled her—referring to the Biblical admonition—that one can never build a house upon a foundation made of sand. Men and women needed secure stone footings to build upright lives.
William Smith had shown underpinnings redolent of unshakable principles. Soon Elizabeth would discover whether his edifice was mansion or shanty.
Is it not very interesting? I know it is maybe a very simple idea what I am going to say but for me reading this excerpt and “putting myself” on her place, I just thought about the English expression of “the penny dropped“. What do you think? Let us know.
Do not forget that this post is included in a blog tour with awesome stops, go, check them and enjoy!
June 17 Diary of an Eccentric
June 18 Interests of a Jane Austen Girl
June 19 Austenesque Reviews
June 20 Donadee’s Corner
June 22 From Pemberley to Milton
June 23 My Vices and Weaknesses
June 24 Savvy Verse & Wit
June 25 So Little Time…
June 26 Babblings of a Bookworm
Are you interested on buying In Plain Sight? Here are a few options:
Amazon US Amazon UK Amazon CA Amazon DE
Meryton Press is giving away 8 eBooks for 8 winners of In Plain Sight by Don Jacobson. Click the link below and follow instructions.
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